MOONARIJ LAUNCHES FIRST ARTIST COLLABORATION WITH KASPAR MÜLLER | INTRODUCING THE NEW LIMITED EDITION SPACE JARS COLLECTION

June 24, 2025 (Berlin, Germany) | Berlin-based design brand MOONARIJ unveils its first artist collaboration with renowned Swiss artist Kaspar Müller, debuting the Space Jars collection in summer 2025. The limited-edition hand-blown glass vases bring together Müller’s conceptual approach and MOONARIJ’s contemporary design ethos. Inspired by planetary forms and cosmic landscapes, the Space Jars are sculptural and functional pieces shaped through a variety of innovative surface treatments, including acid baths, mirroring, and powder coating, that feel both otherworldly and intimately crafted. Each individual vase is unique in form and texture, engaging both as standalone art objects and as vessels designed to interact with their environment. This collection also marks MOONARIJ’s first international partnership with Brooklyn Glass, New York, reflecting a growing commitment to global, cross-disciplinary craftsmanship.

 

The multidisciplinary dialogue between art and design that defines the Space Jars was born from their creators’ shared fascination with the universe and its infinite array of forms, textures, and materials. Building on MOONARIJ’s signature spherical forms, first introduced with the Moonjar series earlier in 2025, each Space Jar channels cosmic inspiration through an interplay of colors, shape, and surface treatment, the visual poetry of distant planets. Rendered in elemental hues spanning all colors of the rainbow, the vases echo the rich chromatic spectrum of space, while the transformation of glass from liquid to solid mirrors the slow and natural process of planetary formation, offering a poetic metaphor for the cosmos. Through a joyful engagement with chemical processes, each surface evokes the appearance of celestial crusts and otherworldly terrains, grounding the collection in both the tactile world of craftsmanship and the imaginative expanse of outer space.

At its core, the Space Jars collection embodies the fusion of two distinct philosophies, converging into a singular language that is both meditative and purposeful. Kaspar Müller approaches glass as a conceptual medium, shaped by spatial experience and installation, while MOONARIJ founder Johanna Wichelhaus balances functionality, form, and color with refined precision. Each Space Jar stands as a sculptural object, reminiscent of distant celestial bodies, yet remains inherently grounded in purpose: designed to hold life. Whether displaying a bouquet or standing empty, each vessel speaks to a dual identity—both planetary and domestic. This quiet balance reflects the essence of Earth itself—a celestial body adrift in the vastness of space, yet vibrant with life. In this context, the Space Jar serves as a metaphor—embodying the seamless interplay between expressive form and purposeful function.

 

To amplify the collection’s artistic vision, Johanna Wichelhaus and Kaspar Müller collaborated with Lucas Confurius on a visual campaign that situates the vases in a cosmic setting, evoking the space where their forms and ideas first emerged.

 

Founded in 2022 by Johanna Wichelhaus, MOONARIJ is rooted in a deep appreciation for Germany’s glassmaking heritage and a passion for handcrafted design, developed in close collaboration with small workshops in Berlin and Dresden. With the launch of Space Jars, the brand reaches across the Atlantic for the first time, partnering with glassmaker Esteban Salazar at Brooklyn Glass in New York, who has previously collaborated with Kaspar Müller on several of his glass installations. This transatlantic collaboration reflects a shared commitment to craft, innovation, and the evolving language of glass.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

Ena Alva | Account Manager | ena@annarosathomae.com

 

NOTES TO EDITORS:

The Space Jars are a limited-edition collection of 12 individual pieces.

Each vase is priced at 2.800 €

The collection will be available at moonarij.com

Note: Each vase is handcrafted individually – dimensions may vary minimally.                         

                 

About MOONARIJ:

MOONARIJ is a Berlin-based, female-founded design brand focused on handcrafted vases. Captivated by the art of glass blowing, Johanna Wichelhaus teamed up with renowned glass artists in 2021 to develop first iterations of her sketches of striped bud vases. The designs evolved into the brand‘s first collections – the Oona, released in 2022, and the Narij, followed by the Large Bucket, Oona Baby and Zigzag collection. Voluminous in shape, iridescent in color and meticulously crafted, hand-blown and hand-sculpted Moonarij vases stand out as mesmerizing objects of beauty.

 

www.moonarij.com  @moonarij_objects

 

 

About Kaspar Müller:

In Kaspar Müller’s practice, seemingly familiar objects somehow appear as hieroglyphs. A cast of everyday, yet nonetheless strangely hermetic motifs reappear throughout his oeuvre like vanished memories. Recoded, recalcitrant, and sometimes stubbornly mute, past works have ranged from physically tangible sculpture to shadowy reproductions of images. Often working in recursive loops, Müller creates elusive installations that stage the fluctuations and transformation of the creative process between the space of the studio and the gallery. For Müller, this process is akin to archeology, yet the things he addresses aren’t hidden; we simply don’t pay attention to them. The moment that their latent qualities suddenly emerge and seem connected and appealing is an exciting moment, which, as Müller notes, is “prone to mystification.” Müller’s works examine the residues of different systems of production and value, homing in on the formal and associative qualities of everyday objects and goods. With his lamp sculptures, Müller engages with how industrial lighting, from its inception to the current day, functions to create a mood or atmosphere through the expression of one’s aesthetic affinities. Müller’s interest in notions of craft and reproduction, and vintage and “fake vintage,” led him to bring together an exuberant yet discordant constellation of bulbs as a kind of mirror of the range of industrial production and contemporary taste.

 

Kaspar Müller (b. 1983, Schaffhausen) lives and works in Basel. During Art Basel Parcours 2023 he showcased a large installation in Münsterplatz. Müller has had solo exhibitions at Atelier Amden, Vleeshal, Middelburg; Kunsthalle Bern; Museum im Bellpark, Kriens; Kunsthalle Zürich; and Circuit, Centre d’Art Contemporain, Lausanne. He has participated in group exhibitions at Fondazione Prada, Venice; Casa Masaccio, San Giovanni Valdarno; Swiss Institute, New York; Istituto Svizzero di Roma, Rome; MAMCO, Geneva; and Aachener Kunstverein, Aachen, among other venues.

Kaspar Müller - Société Berlin

  

Image Credits:

1-6. MOONARIJ x Kaspar Müller. Space Jars Collection, 2025. Photography by Mina Aichhorn.

7. MOONARIJ x Kaspar Müller. Space Jars Collection, 2025. Photography by Lucas Confurius.

8. MOONARIJ x Kaspar Müller. Space Jars Collection, 2025. Photography by Vitali Gelwich.

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RENDEZVOUS INAUGURATES THE FIRST EDITION OF BRUSSELS ART WEEK | CELEBRATING THE DIVERSITY AND RICHNESS OF THE CITY’S ARTISTIC ECOSYSTEM

Preview of Salon de RendezVous: September 3, 2025 | 7 pm
Opening Night: September 4, 2025 | 5 – 9 pm
On View: September 5 – 7, 2025 | 11 – 7 pm

June 24, 2025 (Brussels, Belgium) — RendezVous proudly inaugurates the first edition of Brussels Art Week from September 4–7, 2025. The citywide initiative unites galleries, institutions, artist-run spaces, and studios in a shared moment of collective visibility and momentum. Following its soft launch in 2024 and taking its cue from Brussels’ closely knit cultural community, RendezVous proposes a newly curated itinerary across various city districts to reveal the city’s hybridity and creative bandwidth, where major institutions and grassroots initiatives coexist in close proximity. The Salon de RendezVous at Rue de la Régence 67, an immersive installation-bar by artist Zoe Williams, doubles as a performative social space, and the program also includes exclusive studio visits with Brussels-based artists. Kicking off the fall season, RendezVous – Brussels Art Week reaffirms the city as a site of artistic discovery and conversation within the international art landscape.

RendezVous brings together the city’s diverse cultural initiatives and institutions in a shared moment of visibility, both locally and internationally. Taking place over three days, the program invites visitors to explore Brussels’ vibrant artistic landscape through a series of synchronised openings and events across different districts: Downtown (Centre Brussels & Molenbeek) on September 5, Midtown (Sablon, St. Gilles & Forest) on September 6 and Uptown (Ixelles) on September 7. The program features exhibitions in galleries, public and private institutions, as well as artists’ studio visits organised in collaboration with galleries and Level Five, SB34, KultXL, and the WIELS Residency shared studio spaces. Facilitating exclusive access to studios, the program offers a rare glimpse into the places where Brussels-based artists live and work.

At the heart of this edition, Salon de RendezVous at Rue de la Régence 67, conceived as a site-specific installation by Marseille-based British artist Zoe Williams, serves as the central meeting point for the week. The space is a reflection of her multidisciplinary practice, blending installation with photography, sensorial elements, and performance to form playful, sensuous environments that reflect themes of power, excess, desire, and consumption. Conceived as a performative bar serving artist cocktails, the installation becomes the setting for a three-day programme featuring panel talks, performances, and listening sessions with local DJs and producers.

Brussels has established itself as a vital hub in Europe’s contemporary art landscape, supported by a dense network of internationally engaged collectors, galleries, institutions, foundations, and artist-run spaces. From leading venues like WIELS, Bozar, and the soon-to-open KANAL Centre Pompidou to a new generation of experimental platforms, the city offers fertile ground for artistic exchange. With RendezVous – Brussels Art Week, these diverse forces converge to unite the city and create a dynamic hub for the art and culture.


MEDIA CONTACT:
A R T Communication + Brand Consultancy (Berlin)
Anna Rosa Thomae | Founder | art@annarosathomae.com
Alexandros Papathanasis | Account Executive | alexandros@annarosathomae.com


NOTES TO EDITORS:

Address of Salon de RendezVous:
Rue de la Régence 67
1000 Brussels, Belgium
 

Schedule Overview
Preview of Salon de RendezVous
September 3 | 7 pm
Preview of Salon de RendezVous with Zoe Williams

September 4 | 5 – 9 pm
Collective Opening Night at all participating galleries

Brussels Art Week Days
September 5 (Downtown Brussels) | 11 am – 7 pm
Participating venues open for visits

September 6 (Midtown Brussels) | 11 am – 7 pm
Participating venues open for visits

September 7 (Uptown Brussels) | 11 am – 7 pm
Participating venues open for visits
 

About RendezVous – Brussels Art Week:
RendezVous — Brussels Art Week is a yearly recurring event, celebrating the richness and variety of the Brussels contemporary art scene, connecting galleries, institutions, artist-run spaces, and collective artist studios. Each September, after the summer pause, RendezVous demarcates the starting point for all these dynamic art forces to come into play again. Website | Instagram | https://rendezvousbxl.com/@rendezvousbxl
 

About the Founders:
Founders Laure Decock and Evelyn Simons have both been operating in the Brussels’ art field and beyond for the past 10 years. Laure has worked for galleries such as Almine Rech Gallery, Albert Baronian and Axel Vervoordt, and served as a consultant with focus on fundraising for WIELS, La Loge and Netwerk Aalst. She was a founding member of Elders Collectief. Evelyn has been active as a curator, both freelance (for Fondazione Prada, Casino Luxembourg, KANAL, FOMU and others) as well as in artistic directional roles at Horst Arts & Music and Fondation CAB. She regularly writes artist statements, exhibition texts and exhibition reviews for national and international magazines.

Their complementary backgrounds combine experiences in working with galleries, private foundations and public institutions; working on strategy, development, partnerships and fundraising; as well as curating and writing on contemporary art. Passionate about the richness and variety of the Brussels’ art scene, they are excited to bundle their expertise, ambitions and network for this celebration of contemporary art in a city they both call home. Websites | https://evelynsimons.comhttps://lauredecock.com/


Image Credits:
Courtesy of RendezVous – Brussels Art Week 2025.

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BELVEDERE HOTEL MYKONOS OPENS FOR THE 2025 SEASON | A LEGACY OF HOSPITALITY AND TIMELESS ELEGANCE

June 19, 2025 (Mykonos, Greece) – The Belvedere Hotel in Mykonos welcomes guests for the 2025 season, offering a distinctive Mykonian experience shaped by its storied legacy as one of the island's pioneering luxury hotels. A treasured member of The Leading Hotels of the World, this family-owned Mediterranean residence is a lush oasis of wonders, merging consciously with the town’s eminent architectural landscape and identity. Perched at the highest point of Chora, with panoramic vistas over the town and shimmering Aegean Sea, the hotel’s rooms, suites, and private villas, the Pool Club, the world-renowned Six Senses Spa, and the first-ever Matsuhisa open-air restaurant come together to create an intimate atmosphere where tranquility and connection naturally coexist.

With roots stretching back over 200 years, the Belvedere grew organically around its historic core, Mansion Stoupa, once a lively gathering place for artists and icons like Julie Andrews, Stephen Rubell, and Princess Soraya of Iran. The essence of those free-spirited sixties remains woven into the hotel’s ethos, reflected in its thoughtfully connected spaces, where each building speaks to the next, inviting spontaneous encounters and fostering a sense of community that defines the Belvedere experience.

Embraced by a lush garden with abundant greenery and signature pink bougainvillea, the main complex boasts distinguishable Cycladic design honoring the traditional architectural landscape of Mykonos, with its white interior reflecting the elegant frames of nearby local houses. The hotel offers a wide array of rooms, suites, and private villas enriched with views of the Aegean Sea and the town of Mykonos, including 26 Hilltop Rooms and Suites, luxury residences located 250 meters from the central complex, The Waterfront Villa merging seamlessly with the Aegean Sea, and Villa Next Door, facing the 16th-century historical Venetian windmills.

Steeped in heritage yet seamlessly attuned to the expectations of its international audience, the Belvedere hosts an abundant hospitality experience. Its main complex boasts a wide range of amenities, such as the Six Senses Spa, offering a new wellness philosophy from in-house experts and holistic practitioners, and a fully equipped fitness studio. The beating heart of the main complex is its Pool Club, igniting the ideal atmosphere to meet, socialize, and nurture the Belvedere’s international community, fusing experiences and guests in one place. This panoptic hub includes the hotel’s internationally acclaimed cellar, the historic Belvedere Bar, hosting some of the most vibrant nights on the island and offering exclusive Belvedere Signature Martinis by Dale DeGroff, also known as "the King of Cocktails", and the Sunken Watermelon Cocktail Bar, renowned for its distinctive drinks.

Home to Chef Nobu Matsuhisa’s first open-air sushi bar in the world, Matsuhisa Mykonos brings the premium Chef’s culinary brilliance for a unique dining experience to the Belvedere. Located within the Belvedere, the restaurant is a centerpiece of the vibrant social scene at the hotel. Reopening for the summer season on May 30, guests can savor signature dishes and enjoy an exclusive omakase menu at sunset. This celebrated alfresco restaurant embraces Greek seafood straight from the Aegean Sea into its famed selection of global delights. Adding to this exceptional culinary landscape, Cocco Mykonos infuses the Belvedere with an Italian bistro-style twist on Mediterranean dining. Cocco delivers a relaxed yet elevated dining experience, where seasonal ingredients and classic Italian flavors come together, all in the heart of Little Venice, just a stone's throw away from Belvedere.

The Belvedere Hotel embodies a distinctive brand of hospitality that blends community, luxury, and indulgence. More than just a destination, it serves as a muse, igniting connection and serendipity at every turn, from dining at its restaurants to strolling along its picturesque walkways. Deeply attuned to the culture and landscape of Mykonos, the Belvedere is a focal point of the island, guiding guests toward authentic, unforgettable moments of connection, serendipity, and play that define Mykonos.

MEDIA CONTACT:

 

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

Ena Alva | Account Manager | ena@annarosathomae.com

 

NOTES TO EDITORS:

Address:

Belvedere Mykonos

School of Fine Arts District, 84600, Mykonos, Greece

Facebook | Instagram | Belvedere Hotel , @belvederehotel

Facebook | Instagram | Matsuhisa Mykonos, @matsuhisamykonos

 

Image credits:

1.      Belvedere Hotel Mykonos, 2025. Photography by Yiorgos Kaplanidis. Courtesy of Belvedere Hotel Mykonos

2.      Belvedere Hotel Mykonos, Main Pool Area. Courtesy of Belvedere Hotel Mykonos.

3.      Belvedere Hotel Mykonos, 2025. Photography by Yiorgos Kaplanidis. Courtesy of Belvedere Hotel Mykonos.

4.      Rooftop view of Matsuhisa Mykonos. Courtesy of Belvedere Hotel Mykonos.

5-6.  Belvedere Hotel Mykonos, 2025. Photography by Yiorgos Kaplanidis. Courtesy of Belvedere Hotel Mykonos.

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GATHERING IBIZA PRESENTS ‘SUNSET STRIP’ IN COLLABORATION WITH BERLIN- BASED GALLERY SOCIÉTÉ

Opening Preview: June 24, 2025 | 6 – 8 pm

On View: June 25 – September 1, 2025.

June 23, 2025 (Ibiza, Spain) – GATHERING Ibiza is pleased to announce Sunset Strip, a group exhibition presented in collaboration with Berlin-based gallery SOCIÉTÉ, on view from June 25 – September 1, 2025. The exhibition brings together seventeen international contemporary artists from the galleries’ rosters, including Petra Cortright, Tamara K.E., Wynnie Mynerva, Bunny Rogers, Tai Shani and Marianna Simnett, whose works span diverse mediums such as ceramic, textile and painting. Much like Sebastian Riemer’s HOCKNEY 1967 A Bigger Splash, which reimagines the sun-drenched nostalgia of David Hockney’s iconic imagery, Sunset Strip draws on motifs of Ibiza and island life—pool tiles, tropical flora, bold hues, tourism, and solitude—to reframe the island’s magnetic allure, inviting viewers to consider the island as a foamy, salt-sprayed liminal home for contemporary art.

Founded in 2024, GATHERING Ibiza emerged just as the island’s art scene was entering a period of renewed energy. With a focus on supporting the island’s creative community, the gallery is known for its radical programming and site-specific exhibitions that reflect Ibiza’s vibrant spirit. In dialogue with this vision, SOCIÉTÉ—a Berlin-based gallery with a bold curatorial approach and a strong international presence—brings its global perspective to the island. Together, the two galleries create a unique exchange between experimental practices and international dialogue, marking a new moment in Ibiza’s evolving cultural scene.

Among the highlights of the exhibition is Kaspar Müller’s conceptually driven practice, which renders seemingly familiar objects subtly uncanny. In Untitled, Müller uses light bulbs, steel cord, and electrical wiring to create a charged convalescence of dynamic light and saturated colour. His work will be shown alongside that of Conny Maier, whose ceramic tile panels investigate fundamental questions of human nature, dominance, and control. In Tränken, cobalt on white glaze simmers with mythological undercurrents, as thick, wavy lines and crude caricatures examine the tension between submission and power. The exhibition will also feature works by Soojin Kang, offering a preview of her upcoming solo show at GATHERING Ibiza in 2026. Kang’s sculptural woven pieces use natural dyes and hand-spun yarns to explore form, materiality, and ritual. Additionally, Christelle Oyiri—who will represent GATHERING with a solo presentation at Frieze London 2025—presents text-based, visually saturated prints that use the language of tropical postcards to critique distorted fantasies of island life. With wordplay and pointed wit, Oyiri challenges colonial nostalgia, contaminating the idyllic with critical confrontation.

The group exhibition precedes CAN Ibiza, in which GATHERING will be participating with works made in Ibiza from Shuyi Cao and Jamie Bragg.

Alongside the exhibition, GATHERING Ibiza extends the visitor experience with MIRA, its adjacent courtyard restaurant and bar. This interconnected space brings international artistic voices to a local context with an approach that goes beyond the traditional gallery model. Conceived by GATHERING’s founder Alex Flick, MIRA embodies his vision of a contemporary cultural salon—a place where art, music, and conversation unfold in an intimate setting. As Ibiza’s first contemporary salon, it invites visitors from around the world to connect, share meals, and experience culture in motion. Embodying an intimate and seductive atmosphere, the restaurant features site-specific art installations by Tai Shani and Stefan Brüggemann and continues to evolve with a new nighttime extension of the venue — a late-hours setting with a 1970s mood.

 MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

Ena Alva | Account Manager | ena@annarosathomae.com

 

NOTES TO EDITORS:

 

Address:

Carrer Vicent Serra 4

Sant Miquel de Balansat, Ibiza

Spain

 

Opening hours:

Opening Preview | June 24, 2025 | 6 – 8 pm

On View | June 25 – September 1, 2025.

  

ABOUT GATHERING:

Founded in 2022 in the heart of Soho, London, GATHERING is a contemporary art gallery, presenting a diverse exhibition programme of international emerging voices alongside established artists, including Emanuel de Carvalho, Tamara K.E., Soojin Kang, Ndayé Kouagou, Wynnie Mynerva and Tai Shani. In 2023, GATHERING inaugurated GLASSHOUSE, an alternative strand of programming which fosters emergent creative practitioners alongside GATHERING‘s main exhibitions. In 2024, the gallery expanded to Sant Miquel de Balansat on the island of Ibiza, carrying the cutting-edge programming and artist-led ethos of GATHERING to an international stage. GATHERING is a member of the Gallery Climate Coalition and works with The Anti-Slavery Collective and Embode.

 

About SOCIÉTÉ:

SOCIÉTÉ is a Berlin-based contemporary art gallery with a global reach. The gallery’s bold curatorial approach plays a pivotal role in advancing its artists’ visions, supporting major museum exhibitions, biennials, and acquisitions by leading institutional collections worldwide. Operating in both the primary and secondary markets, SOCIÉTÉ provides curated advisory services to select clients. Beyond its exhibitions, the gallery’s publishing initiative, EDITION SOCIÉTÉ, collaborates with prominent writers and graphic designers to produce artist books, catalogues, and, more recently, high-end artist editions. SOCIÉTÉ is an active presence at major international art fairs, including Art Basel, Art Basel Paris, Art Basel Miami Beach, Frieze New York, Frieze London, ARCOmadrid, and Gallery Weekend Berlin.

  

Image Credits:

1. Christelle Oyiri, TOURISTA SERIES:JETLAG IS FOR AMATEURS, 2025. Dual sided ink print on acrylic panneling with vinyl text.

84.1 x118.9 cm. Courtesy of the artist and GATHERING.

2. Jeanette Mundt Untitled, 2025, Pencil on paper, 231⁄4 x 191⁄4 x 3⁄4 in. 59 x 49 x 2 cm. Courtesy of the artist and SOCIÉTÉ, Berlin.

3. Tai Shani Nymphian, Angel Heart II, 2023 PVC plastic, steel string. 140.00 x 60.00 x 30.00 cm. Courtesy of the artist and

GATHERING.

4-5. MIRA, Ibiza, 2025. Courtesy of MIRA by GATHERING.

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GATHERING IBIZA AND MIRA REOPEN FOR THE 2025 SEASON | A COMMITMENT TO CULTURAL ENCOUNTERS THROUGH HOSPITALITY, GASTRONOMY AND CONTEMPORARY ART

June 18, 2025 – (Ibiza, Spain) GATHERING Ibiza, the Balearic outpost of London’s contemporary art gallery GATHERING, and MIRA, its courtyard restaurant and bar, reopen for the 2025 summer season. This interconnected space brings international artistic voices to a local context with an approach that goes beyond the traditional gallery model. An intimate setting for art, music, and conversation, MIRA emerges as Ibiza’s first contemporary salon, inviting visitors from all over the world to connect, share meals, and experience culture in motion. Embodying an intimate and seductive atmosphere, the restaurant features site-specific art installations by Tai Shani and Stefan Brüggemann and continues to evolve with a new nighttime extension of the venue — a late-hours setting with a 1970s mood. Informed by the curatorial direction and international networks of GATHERING’s London base, the hybrid venue contributes a new layer of cosmopolitan sensibility to the island’s cultural fabric.

MIRA blends art, music, and hospitality with understated sophistication, bringing a distinctly cosmopolitan energy to Ibiza’s cultural community. Here, dim lighting, cocktails, and creative nomads converge in a setting that recalls the intimacy of Mexico City’s culinary scene and the irreverent vitality of Ibiza. Whether for dinner, a pre-club gathering, or lingering late into the night, MIRA offers a place to be — and to stay — where conversation, sound, and aesthetics unfold without rush. Through chef residencies, artist programs, and an evolving community of local and international visitors, MIRA cultivates a cultural presence that is both rooted and outward-looking. It speaks to an audience seeking beauty, depth, and a sense of belonging within a global, creative milieu.

Designed in collaboration with Turner Prize-winning artist Tai Shani, MIRA is reimagined as both a restaurant and a site-specific artwork. Shani’s breast-shaped blown-glass lanterns float above a bubblegum-pink bar, which, together with a marble-esque façade and vivid details, lend the restaurant a theatrical flair. At the heart of the garden, among the tables, sits one of Shani’s sculptural candles — a version of her commission for New York’s High Line. Nearby, a mirrored spray painting by Stefan Brüggemann adds a sharp, reflective presence to the exterior. The venue is set to expand after dark, with a new late-night concept infused with a 1970s atmosphere.

Affirming its ongoing commitment to nurturing Ibiza’s cultural community, MIRA’s summer programming features the Sunday session Aperitivo Analogico, with DJs spinning vinyl-only sets, while Mondays see MIRA transform into a listening bar, focused on digital DJ sets. This season, a new series of artist talks takes place, featuring conversations with artists, writers, and thinkers, inaugurated by a presentation from Seffa Klein, who developed new works during her time at GATHERING’s Can Maria Residency on the island. In parallel, MIRA will host a series of 4-hands pop-up dinners and guest chef collaborations with restaurants from Ibiza, Barcelona, Pays Basque, Mexico City, Argentina, Italy, London, and Madrid. A selection of exclusive fashion pop-ups will also take over MIRA this summer, further layering the space with moments of cross-disciplinary exchange.

Following its soft launch in 2024, GATHERING Ibiza is conceived as a space where contemporary art practices can evolve in dialogue with the island’s enduring countercultural spirit. Housed within a striking architectural space—featuring high ceilings, two mezzanine levels, and abundant natural light—the gallery invites both critical engagement and quiet contemplation, encouraging visitors to reflect, linger, and wander.

 

The gallery’s upcoming exhibition, titled Sunset Strip, presented in collaboration with Berlin-based gallery SOCIÉTÉ, will be on view from June 24 – September 1, 2025. It brings together seventeen international contemporary artists from both galleries’ rosters, including Petra Cortright, Tamara K.E., Wynnie Mynerva, Bunny Rogers, Tai Shani, and Marianna Simnett, showcasing works across diverse mediums such as ceramics, textiles, and painting. Much like Sebastian Riemer’s HOCKNEY 1967 A Bigger Splash, which reimagines the sun-drenched nostalgia of David Hockney’s iconic imagery, the exhibition draws on motifs of Ibiza and island life—pool tiles, tropical flora, bold hues, tourism, and solitude. The exhibition reframes the island’s magnetic allure, inviting viewers to consider it as a foamy, salt-sprayed liminal home for contemporary art.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

Ena Alva | Account Manager | ena@annarosathomae.com

 

NOTES TO EDITORS:

Address:

Carrer Vicent Serra 4

Sant Miquel de Balansat, Ibiza

Spain

Opening Times:

Thursday – Sunday | 6 pm – 2 am

Monday – Wednesday | Closed

Exhibition Programming:

Sunset Strip, presented by GATHERING and SOCIÉTÉ, will be on view at GATHERING Ibiza from June 24 – September 1, 2025.

 

ABOUT GATHERING:

Founded in 2022 in the heart of Soho, London, GATHERING is a contemporary art gallery, presenting a diverse exhibition programme of international emerging voices alongside established artists, including Emanuel de Carvalho, Tamara K.E., Soojin Kang, Ndayé Kouagou, Wynnie Mynerva and Tai Shani. In 2023, GATHERING inaugurated GLASSHOUSE, an alternative strand of programming which fosters emergent creative practitioners alongside GATHERING’s main exhibitions. In 2024, the gallery expanded to Sant Miquel de Balansat on the island of Ibiza, carrying the cutting-edge programming and artist-led ethos of GATHERING to an international stage.

GATHERING is a member of the Gallery Climate Coalition and works with The Anti-Slavery Collective and Embode.

 

Image credits:

1-5. MIRA, Ibiza, 2025. Courtesy of MIRA by GATHERING.

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ART BASEL UNLIMITED 2025 | 'THE MECHANICAL BALLET' BY HEINZ MACK

June 12, 2025 (Basel, Switzerland) – German artist Heinz Mack will present The Mechanical Ballet, an installation comprising seven motorized stainless-steel stelae of varying heights that rotate within a mirrored room, in Art Basel’s 2025 Unlimited sector. The presentation is held in collaboration with his global representative, Almine Rech, at Booth U28, from June 19 – 22, 2025.

The polished stainless steel steles, each standing between 120 cm and 250 cm tall, move axially through motorized bases. These steles act as mechanical dancers, placed in a mirrored space that multiplies the visual effects of this kinetic ballet. As the steles rotate on their own axes, they absorb light, reflect it, and set it in motion—making it dance through the space. The mirrored surroundings become the stage for this choreography, amplifying both the light and the movements of the rotating steles.

Das Mechanische Ballett was last exhibited in 2023 at the ZKM | Center for Art and Media in Karlsruhe, Germany. Here, an open space with a mirrored rear wall was chosen. Conceived in 1966, the installation was first realized for an exhibition at Kunsthal Rotterdam in 2018. Additionally, a light and sound choreography accompanied the installation, featuring the composition Atmosphères by György Ligeti.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

NOTES TO EDITORS:

The Mechanical Ballet installation by Heinz Mack will be on view in Hall 1.0 at Booth U28. 

Address
Messe Basel
Messeplatz 10 
4058 Basel
Switzerland

Unlimited VIP Opening (by invitation only)
Monday, June 16, 2025, 4 pm — 8 pm, First Choice VIP Cardholders
Monday, June 16, 2025, 6 pm — 8 pm, Preview VIP Cardholders

VIP Days (by invitation only)
Tuesday, June 17, 2025, 11 am — 8 pm, First Choice VIP Cardholders
Tuesday, June 17, 2025, 4 pm — 8 pm, Preview VIP Cardholders
Wednesday, June 18, 2025, 11 am — 8 pm, First Choice and Preview VIP Cardholders

Vernissage Guests (by invitation only)
Wednesday, June 18, 2025, 4 pm — 8 pm

Public Days (with a ticket or VIP card)
Thursday to Sunday, June 19 — 22, 2025, 11 am – 7 pm

Unlimited Night
Thursday, June 19, 2025, 7 pm — 10 pm


About Heinz Mack:
Heinz Mack (b. 1931, Germany) is the co-founder of the ZERO movement, known for his explorations of light, color, and movement through painting, sculpture, and installation. Heinz Mack's work is included in the collections of: the Museum of Modern Art, New York, US, and the Tate Modern, London, UK, among others. His work has been exhibited in major institutions, including the Solomon R. Guggenheim Museum, New York, US; the Centre Pompidou, Paris, France; the Stedelijk Museum Amsterdam, Netherlands; and is part of the collections of The Museum of Modern Art (MoMA), New York, US, and the Tate Modern, London, UK, among others.

Image credits:
Installation view of Heinz Mack, 'Das Mechanische Ballett', 1966–2015.
© Heinz Mack and ZKM | Karlsruhe - Photo: Tobias Wootton. Courtesy of the Artist and Almine Rech

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SOCIÉTÉ ANNOUNCES THE REPRESENTATION OF WYNNIE MYNERVA

June 11, 2025 (Berlin, Germany) – SOCIÉTÉ is is pleased to announce the representation of Wynnie Mynerva in collaboration with GATHERING.

Wynnie Mynerva draws on personal experiences of violence tied to race, gender, and sexuality to create a multidisciplinary practice spanning painting, performance, and video. Raised in Villa El Salvador on the outskirts of Lima, a place shaped by complex social and economic realities, their work explores themes of transformation, resistance, and embodiment. Referencing mythological iconography, Mynerva both honors and reimagines classical art traditions, inviting reflection on inherited forms and narratives. Their work proposes alternative perspectives with bold imagination and emotional intensity. Wynnie Mynerva's first presentation at SOCIÉTÉ will open in November 2025. Two major works will also be featured at SOCIÉTÉ’s booth at Art Basel this year.

MEDIA CONTACT

A R T Communication + Brand Consultancy (Berlin)
Anna Rosa Thomae | Founder | art@annarosathomae.com
Ena Alva | Account Manager | ena@annarosathomae.com

NOTES TO EDITORS


Address
Wielandstraße 26
10707 Berlin

Opening Hours
Monday – Saturday | 10 am – 6 pm
Closed on Sundays

About Wynnie Mynerva:

Wynnie Mynerva (b. 1992, Lima, Peru) lives and works between Lima and Amsterdam. They are currently a resident at the Rijksakademie van Beedlende Kunsten, Amsterdam. Mynerva’s work has been the subject of solo exhibitions including The Sweet Nectar of Your Blood at Mayoral, Barcelona; My Weaponized Body at Gathering, London; Presagioat Fondazione Memmo, Rome; The Original Riot at the New Museum, New York; and A Garden of Earthly Delights at Museo Amano, Lima. Their work has also been featured in group exhibitions at Museo de Arte de Lima; C3A, Córdoba; Ill Posto, Santiago de Chile; Sargent’s Daughters, New York; and Pedro Cera, Lisbon, among others. They have been shortlisted for numerous awards, including Pasaporte para un Artista (2020), the Banco Central de Reserva Painting Contest (2019, 2020), the Contemporary Art Award (2019, 2020), and the National Visual Arts Meeting of Trujillo (2018).


About SOCIÉTÉ:

SOCIÉTÉ is a Berlin-based contemporary art gallery with a global reach. The gallery’s bold curatorial approach plays a pivotal role in advancing its artists’ visions, supporting major museum exhibitions, biennials, and acquisitions by leading institutional collections worldwide. Operating in both the primary and secondary markets, SOCIÉTÉ provides curated advisory services to select clients.

Beyond its exhibitions, the gallery’s publishing initiative, EDITION SOCIÉTÉ, collaborates with prominent writers and graphic designers to produce artist books, catalogues, and, more recently, high-end artist editions.

SOCIÉTÉ is an active presence at major international art fairs, including Art Basel, Art Basel Paris, Art Basel Miami Beach, Frieze New York, Frieze London, ARCOmadrid, and Gallery Weekend Berlin.
 

Image credits:
1. Wynnie Mynerva's studio at Fondazione Memmo, 2024. Photography by Daniele Molajoli.
2. Wynnie Mynerva, 'Reflejo', 2024. Courtesy of the artist and GATHERING.

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SOCIÉTÉ ANNOUNCES THE REPRESENTATION OF SALIM GREEN

June 10, 2025 (Berlin, Germany) – SOCIÉTÉ is pleased to announce the representation of American artist Salim Green in collaboration with François Ghebaly.

Salim Green explores themes of concealment, visibility, and opacity through a multi-disciplinary practice encompassing painting, sculpture, video, performance, installation, sound, and writing. For Green, abstraction functions both as an aesthetic strategy and an attitude: a means of negotiating notions of legibility, authorship, and the plasticity of experience. A recurring point of reference in his work is Dark Forest Theory—a speculative framework proposing that extraterrestrial civilizations remain hidden to avoid detection and destruction. Adopting this theory as a lens for understanding relational dynamics and Black existence, Green’s work embodies acts of strategic withdrawal—resistant assertions of unknowability, interiority, and survival. Salim Green's upcoming solo presentation at SOCIÉTÉ in 2026, will mark the artist’s European debut. François Ghebaly will open his first solo exhibition in September 2025. DFT 2025, a group exhibition co-curated by Salim Green and Benjamin Chaffee, will open at Wesleyan University in the same month.

Salim Green has recently had a solo exhibition at SculptureCenter, New York and currently is the Sullivan Fellow in the arts at Wesleyan University.


MEDIA CONTACT

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com
Ena Alva | Account Manager | ena@annarosathomae.com

NOTES TO EDITORS

Address
Wielandstraße 26
10707 Berlin

General Opening Hours
Monday – Saturday | 10 am – 6 pm
Closed on Sundays

About Salim Green:
Salim Green (b. 1996, Middletown, CT) earned a BA from Wesleyan University in 2020 and an MFA from the University of California Los Angeles in 2024. Green’s work has been exhibited in solo and group exhibitions at François Ghebaly, Los Angeles; Room 3557, Los Angeles; Ezra and Cecile Zilkha Gallery, Middletown; SculptureCenter, New York; Bellyman, Los Angeles; Stony Island Arts Bank, Chicago; Fábrica, Mexico City. His work is included in the collections of the Getty Research Institute, The Kinsey Collection and the Tyler School of Art and Architecture, Temple University. He lives and works in Los Angeles, CA and Middletown, CT.

About SOCIÉTÉ:
SOCIÉTÉ is a Berlin-based contemporary art gallery with a global reach. The gallery’s bold curatorial approach plays a pivotal role in advancing its artists’ visions, supporting major museum exhibitions, biennials, and acquisitions by leading institutional collections worldwide. Operating in both the primary and secondary markets, SOCIÉTÉ provides curated advisory services to select clients.

Beyond its exhibitions, the gallery’s publishing initiative, EDITION SOCIÉTÉ, collaborates with prominent writers and graphic designers to produce artist books, catalogues, and, more recently, high-end artist editions.

SOCIÉTÉ is an active presence at major international art fairs, including Art Basel, Art Basel Paris, Art Basel Miami Beach, Frieze New York, Frieze London, ARCOmadrid, and Gallery Weekend Berlin.

Image Credits:
1. Portrait of Salim Green. Photography by Pelumi Sokunbi. Courtesy the artist and SOCIÉTÉ, Berlin.
2. Salim Green, '1001 (for the ride)', 2025. Oil and acrylic on wood felt on wood panel. 23 x 23 x 4 cm.
Photography by Trevor Good. Courtesy the artist and SOCIÉTÉ, Berlin.

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THE AMALFI COAST’S FIRST LISTENING BAR HIDES IN PLAIN SIGHT AT THE FABLED LE SIRENUSE HOTEL

June 5, 2025 (Positano, Italy) – The rooms that today host the Don’t Worry Music Bar were at the heart of the Sersale family’s seaside villa in Positano. They were something of a cocoon, where family and friends would gather to chat, read, or play cards. Soon after the Sersales transformed the property into a hotel in 1951, this pair of rooms with traditional cross-vaulted ceilings became Le Sirenuse’s original bar. They retained the intimate atmosphere of a meeting place for amici and amore, for soft conversation, good wine, and old-school cocktails. Today, this tucked-away enclave within the charmed Le Sirenuse has added la buona musica to the mix.

It was while on vacation in Tokyo that Le Sirenuse’s operations manager, Aldo Sersale, discovered the world of Japanese listening bars. These are spaces where the music is as important as the cocktails and the conversation, if not more so. The classic ongaku kissa or ‘listening café’ is dedicated to vinyl records reproduced on top-quality sound equipment. Aldo had long wanted to give Le Sirenuse’s original indoor bar a new energy while respecting its history and heritage. With its celebration of old-school, analogue audio pleasures, a listening bar, Aldo realised, was the perfect solution. It would also give guests of Le Sirenuse a convivial place to relax and enjoy a nightcap after dinner.

For the state-of-the-art sound system, he turned to audio consultant Stefano Menicagli, whose first contact with Le Sirenuse had come when Aldo’s grandfather Franco Sersale asked him to install a Linn Sondek vinyl HiFi system in his house in Rome. Stefano has since masterminded all the HiFi systems in the hotel. Stefano installed a system based around speakers by British firm ATC, a legend within the professional sound industry.

Finding a DJ with the right sensibility was proving to be more problematic until an acquaintance mentioned Paolo Sciabu, a Positano-born and bred who had worked the turntables in a couple of the Amalfi Coast resort’s dance bars in the 1990s. He was hired on the basis of a test playlist he made for Aldo. “Being a true analogue”, Aldo recounts, “Paolo came up with a knockout selection of high-quality music on vinyl reproduced as faithfully as possible, blending 60s, 70s and 80s rock and roll with some of the best Italian pop classics.’’

When it came to crafting a cocktail list for the Don’t Worry Music Bar, Aldo, head barman Roberto Pane and director of mixology Alessio Lupo decided to divide the menu between ‘Timeless Cocktails’ such as the Sazerac or the Hemingway Daiquiri, and a selection of eight ‘Italian Pop Classics’, inspired by some of the Italian songs of the 1950s to 1990s that Sciabu spins for guests. “I wanted the drinks to be fresh and fun”, Aldo explains, “but also to taste like they had decades of cocktail history behind them”. Alongside timeless drink classics, guests can indulge in signature desserts from Le Sirenuse’s renowned menu—such as the iconic Amalfi Lemon Delight, a beloved confection of the Amalfi Coast.

The bar takes its name from British artist Martin Creed’s neon work Don’t Worry, part of the Artists at Le Sirenuse site-specific contemporary art programme curated by Silka Rittson-Thomas. In 2025, the hotel inaugurates its latest installation – the seascape cycle Le Sirenuse I–XX by Swiss artist Caroline Bachmann, consisting of twenty painted tondos, now adorning the room’s arched ceiling alongside Creed’s artwork.

The Don’t Worry Music Bar is open every evening from 7 pm until late with the DJ starting at 9 pm.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

NOTES TO EDITORS:                                               

About Le Sirenuse:

Le Sirenuse opened in 1951, in what until then had been the Sersale family’s summer house in Positano. Today the 58-room Amalfi Coast resort is considered an Italian hospitality icon, though it still retains the intimate, cultured atmosphere of a private home. More than a mere hotel, it has become over the years a lifestyle reference point that brings into fertile dialogue the worlds of fashion, culture, gastronomy, mixology and wellbeing, creating connections and crafting personal narratives.

Scenic La Sponda restaurant, informally glamorous bar-bistrot Aldo’s and the resort’s chic little Pool Bar showcase this southern Italian region’s authentic seasonal produce, while the Don’t Worry Music Bar is a true insiders’ speakeasy in tune with the rhythm of Positano nights. 

Le Sirenuse also features a refreshingly contemporary Spa designed by architect Gae Aulenti, where a range of signature treatments are available, alongside a fitness area with two total-workout Megaformer machines. The resort is celebrated worldwide for its all-inclusive weekly activities, which include trekking on some of the Amalfi Coast’s spectacular mountain trails and more leisurely sunset cruises on the Sant’Antonio, the family’s traditional gozzo fishing boat.

Assembled over decades by art and antique collector Franco Sersale, the hotel’s elegant décor today enters into conversation with a growing site-specific contemporary art collection featuring talents of the calibre of Martin Creed and Nicolas Party, while the light-filled bedrooms are havens of dolce vita style.

Now as in the past, Le Sirenuse is a family affair. Third-generation Sersales, Aldo and Francesco, are increasingly involved in the day-to-day running of a hotel that their parents Antonio and Carla began to manage in 1991. Carla currently curates Emporio Sirenuse, the resort wear and lifestyle brand she founded in 2013, which takes inspiration from the deep-rooted Mediterranean culture of this charmed enclave south of Naples. For more information, please visit Sirenuse.it/en.

Facebook | Instagram | @lesirenuse

Image Credits:

1. Le Sirenuse, Don't Worry Music Bar, 2025 Photography by Brechenmacher & Baumann.
2. Le Sirenuse, Don't Worry Music Bar, 2025 Photography by Roberto Salomone.
3. Le Sirenuse, Don't Worry Music Bar, 2025 Photography by Brechenmacher & Baumann.

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MOONARIJ UNVEILS NEW MOONJAR GLASS VASES | A TRIBUTE TO THE GLASSBLOWN SPHERE

May 15, 2025 (Berlin, Germany) – Berlin-based MOONARIJ launches the Moonjar collection, a new series of large-scale spherical glass vessels, introducing a bold new shape to the brand’s diverse designs. Renowned for its dedication to preserving centuries-old German glassmaking traditions while continuously reimagining form and pattern through a contemporary lens, the brand now pays homage to the sphere — the very first and most essential shape in the glassmaking process. Elevating the initial shape into the final form, MOONARIJ transforms the point of origin into its ultimate expression. This core form, capturing the artisan’s very first breath into the material, now takes center stage in the Moonjar series through a colorful collection of shimmering glass vases.

The name "Moonjar" refers to traditional Korean spherical porcelain vessels, made during the Joseon dynasty and cherished for their understated elegance and purity of form. Timeless and iconic, these objects have long served as symbols of cross-cultural inspiration, influencing artisans across eras and disciplines, a legacy now carried in MOONARIJ’s glass creations. Reinterpreting the spherical form through the brand’s contemporary design language, these vases balance transparency, reflection, and playful ornamentation, embodying a delicate sense of joy. With every piece, new compositions emerge, fluid, unpredictable and unrepeatable, each a unique interpretation of an imperfectly perfect form.

With the introduction of the Moonjars, MOONARIJ expands on a lineage of forms developed across its collections, from the ovoid silhouettes of the Oona and Zigzag series to the tall cylinders of Narij and the wide, voluminous profiles of the Large Buckets.

MOONARIJ was born from a deep passion for artisanally made vessels appealing to those who value innovation while cherishing the organic, handmade quality shaped by the care and expertise of master glass artists. Founded in 2022 by Johanna Wichelhaus, the Berlin-based brand fuses contemporary design sensibilities with traditional craftsmanship. Each piece is conceived in Berlin and brought to life through close collaboration with small, skilled workshops in Berlin and Dresden.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

Ena Alva | Account Executive | ena@annarosathomae.com

 

NOTES TO EDITORS:                                               

About MOONARIJ:

MOONARIJ is a Berlin-based, female-founded design brand focused on handcrafted vases. Captivated by the art of glass blowing, Johanna Wichelhaus teamed up with renowned glass artists in 2021 to develop first iterations of her sketches of striped bud vases. The designs evolved into the brand‘s first collections – the Oona, released in 2022, and the Narij, followed by the Large Bucket, Oona Baby and Zigzag collection. Voluminous in shape, iridescent in color and meticulously crafted, hand-blown and hand-sculpted Moonarij vases stand out as mesmerizing objects of beauty.

www.moonarij.com

Instagram: @moonarij_objects           

Image Credits:
1. Moonjar #5. Photography by Ivan Kravstov. Courtesy of MOONARIJ.
2. Moonjar #10. Photography by Ivan Kravstov. Courtesy of MOONARIJ.
3. Collection of MOONARIJ Vases. Photography by Ivan Kravstov. Courtesy of MOONARIJ.
4. Moonjar # 4 (white), Moonjar #6 (green/white), Moonjar # 7 (green/pink). Photography by Mina Aichhorn.
Courtesy of MOONARIJ.
5. Moonjar #9. Photography by Mina Aichhorn. Courtesy of MOONARIJ.
6. Moonjar #8. Photography by Mina Aichhorn. Courtesy of MOONARIJ.

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SOCIÉTÉ x Art Basel | Art Basel Unlimited | Art Basel Parcours

Preview Days: June 16 – 18, 2025
Public Days: June 19 – 22, 2025 

May 15, 2025 (Basel, Switzerland) – Berlin-based SOCIÉTÉ will participate in the 55th edition of Art Basel, from June 16 – 22, 2025, at Messe Basel. The gallery will present works by Jeanette Mundt, Trisha Baga, Petra Cortright, Conny Maier, Kaspar Müller, Tina Braegger, Timur Si-Qin, Wynnie Mynerva, Salim Green, Marianna Simnett, Bunny Rogers, Anh Trần, and Lu Yang at booth K8.

Petra Cortright, installation view of ‘sapphire cinnamon viper fairy’, Palm Springs Art Museum, Palm Springs, 2022. Courtesy of the artist and SOCIÉTÉ, Berlin.

Petra Cortright at Art Basel Unlimited 

American artist Petra Cortright, will present a video installation titled sapphire cinnamon viper fairy at Art Basel’s 2025 Unlimited sector, at booth U67. The work takes the form of over two hundred webcam videos spanning fifty monitors. Looping videos across multiple screens, Cortright seeks to spatialize the fragmented, ephemeral nature of digital experiences. Each individual video, a tiny, self-contained world, converges into a larger, ever-evolving collage. Conceived in an era before smartphones and selfie culture, when the internet was, in the words of the artist, “a big empty space,” Cortright’s webcam works reflect an organic form of online existence: one driven by curiosity and the desire to simply be seen, even if just for a fleeting moment.

Marianna Simnett, ‘Interlude’, 2024. 7-minute single channel video with stereo sound and custom display. Resin, steel, television and speakers. 267 x 240 x 124 cm. Photography by Trevor Good, Courtesy of the artist and SOCIÉTÉ, Berlin.

Marianna Simnett at Art Basel Parcours

British-Croatian artist Marianna Simnett will present a video work titled Interlude in Art Basel’s 2025 Parcours sector, curated by Stefanie Hessler, in the Merian Hotel parking lot. The video loops within a sculpture of a concession stand inspired by those found at sporting events. Rendered in rich ochre, red, and gold tones, the work’s sculptural element appears illuminated from within by an otherworldly inner glow, giving it a mesmerizing, eerie quality that intensifies when the shutters lift to reveal a video of a solitary woman singing and preparing food—only to retreat behind the blinds once more. Interlude repositions the often-invisible figure of the vendor into a role of unexpected prominence. The video teems with tactile and abject imagery: sweating hotdogs glisten inside a food warmer, while ketchup and mayonnaise splurt and ooze, highlighting the visceral, almost grotesque materiality of the space and the tasks performed within it. These fluids echo the unease of containment and release, adding a layer of discomfort to the woman’s melancholic performance. The video exudes a dreamlike, almost Lynchian atmosphere, contrasting the gritty energy of sport with the melancholic presence of its protagonist. 


MEDIA CONTACT


A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com
Ena Alva | Account Manager | ena@annarosathomae.com

NOTES TO EDITORS

Address
Messe Basel
Messeplatz 10 
4058 Basel
Switzerland

Opening Hours
Unlimited Sector Opening
Monday, June 16, 2025, 4pm - 8pm, First Choice
Monday, June 16, 2025, 6 pm - 8pm, Preview

VIP Days
Tuesday, June 17, 2025, 11am - 8pm, First Choice
Tuesday, June 17, 2025, 4pm - 8pm, First Choice & Preview
Wednesday, June 18, 2025, 11am - 8pm, First Choice, Preview, One Day VIP & Two Day VIP

Vernissage 
Wednesday, June 18, 2025, 4pm - 8pm

Public Days
Thursday, June 19, 2025, 11am - 7pm
Friday, June 20, 2025, 11am - 7pm
Saturday, June 21, 2025, 11am - 7pm
Sunday, June 22, 2025, 11am - 7pm

About SOCIÉTÉ:

SOCIÉTÉ is a Berlin-based contemporary art gallery with a global reach. The gallery’s bold curatorial approach plays a pivotal role in advancing its artists’ visions, supporting major museum exhibitions, biennials, and acquisitions by leading institutional collections worldwide. Operating in both the primary and secondary markets, SOCIÉTÉ provides curated advisory services to select clients.

Beyond its exhibitions, the gallery’s publishing initiative, EDITION SOCIÉTÉ, collaborates with prominent writers and graphic designers to produce artist books, catalogues, and, more recently, high-end artist editions.

SOCIÉTÉ is an active presence at major international art fairs, including Art Basel, Art Basel Paris, Art Basel Miami Beach, Frieze New York, Frieze London, ARCOmadrid, and Gallery Weekend Berlin.

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CAROLINE BACHMANN’S SEASCAPE CYCLE IS THE LATEST ADDITION TO LE SIRENUSE’S SITE-SPECIFIC ART COLLECTION

May 12, 2025 (Positano, Italy) – Based at Le Sirenuse, the iconic family-run luxury hotel in the Italian coast town of Positano, the Artists at Le Sirenuse program is delighted to present its latest hotel-specific art project: a cycle of twenty seascapes by Swiss artist Caroline Bachmann inspired by the view of the Li Galli islands from the famed Amalfi Coast hotel over the course of an imaginary day, from midnight to midnight. 

Bachmann lives on the shores of Lake Geneva. A core element of her practice is to observe the lake at all hours, especially the liminal time between day and night, making sketches that, in her studio, become painted canvases that hold within them a multiplicity of views, memories and moments.

Antonio Sersale, co-owner of Le Sirenuse, fell in love with Bachmann’s work when he caught one of her solo shows at the Galerie Gregor Staiger in Zürich. He was struck by the convergence between her Lake Geneva waterscapes and a view he has admired since he was a child: that of the Mediterranean sea with the Li Galli islands on the horizon, as seen from the rooms, restaurant, bars and terraces of the hotel his family founded in 1951 in what until then had been their seaside villa. Siblings Paolo, Aldo, Anna and Franco Sersale named their new venture after these three islands, which were once known as Le Sirenuse, or ‘The Sirens’, due to their association with the mythological creatures who tempted passing sailors with their irresistible voices.

Invited to Positano in October 2023 by Antonio Sersale and Artists at Le Sirenuse curator Silka Rittson Thomas, Bachmann became equally fascinated by a view that changes from second to second under the influence of light, wind, waves and weather.

It was when she and Gregor Staiger stepped into Le Sirenuse’s Don’t Worry Music Bar, housed in what had been one of the original living rooms of the Sersale family villa, that the artist realised she had found a home, and a subject, for the proposed work. Up there, just below the traditional cross-vaulted ceiling, were twenty arched niches running continuously around the walls. This was the perfect location, Bachmann remarks, for a series of works that chart twenty moments in the course of one day and night but “are to be read in a direction of an infinitely rotating clock”.

Choosing as her ‘observation tower’ Room 65, which enjoys an unparalleled panorama of the ‘vertical town’ of Positano and the sea beyond with the Li Galli islands on the horizon, Bachmann began, as she always does, to make a series of pencil sketches of anything that struck her about that view – effects of the light, cloud formations, wave patterns, colour shifts and other details. It was only later that winter, after she returned to her Swiss studio, that the artist decided that the islands should be the focal point of the landscape cycle, and also the works would be a series of tondos – a circular format that was popular with Italian artists of the Renaissance.

It took Bachmann nine months to complete the twenty oil paintings, each of which measures 30cm in diameter and is enclosed within a painted amber frame based on a traditional Italian earth pigment, burnt sienna. The artist referenced the preparatory drawings made in Positano, she explains, “as a musician does a musical score… I don’t turn to the sketches to remind me of something but to recognise a density, an emotion, a force”. Bachmann adds that, for her, painting an island “is like painting a self-portrait, not only because the artist’s profession is a kind of island, but also because an identification takes place in the act of painting an island that allows you to bring it inside yourself and see it as a subject that is completely internal”. 

Entitled Le Sirenuse I–XX, 2025, the twenty works were installed in the Don’t Worry Music Bar on 8 April 2025, starting with midnight in the centre of the north wall, and proceeding clockwise around the arched niches through the course of a day and back to midnight. They encircle an existing work that hangs from the ceiling of the same room – Martin Creed’s neon installation Don’t Worry (2016). 

The dialogue between each work and its setting and the conversation between the individual works is a defining element of Artists at Le Sirenuse, a site-specific art programme launched in 2015. To date, it consists of twelve commissions, among them Nicolas Party’s vibrant re-imagining of Le Sirenuse’s swimming pool and Alex Israel’s trompe l’oeil mural on the stairway leading down to Aldo’s bar.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)
Anna Rosa Thomae | Founder | art@annarosathomae.com 

NOTES TO EDITORS:

About Le Sirenuse

Le Sirenuse opened in 1951, in what until then had been the Sersale family’s summer house in Positano. Today, the 58-room Amalfi Coast resort is considered an Italian hospitality icon, though it still retains the intimate, cultured atmosphere of a private home. More than a mere hotel, it has become over the years a lifestyle reference point that brings into fertile dialogue the worlds of fashion, culture, gastronomy, mixology, and wellbeing, creating connections and crafting personal narratives. 

Scenic La Sponda restaurant, informally glamorous bar-bistrot Aldo’s, and the resort’s chic little Pool Bar showcase this southern Italian region’s authentic seasonal produce, while the Don’t Worry Music Bar is a true insiders’ speakeasy in tune with the rhythm of Positano nights.

Le Sirenuse also features a refreshingly contemporary Spa designed by architect Gae Aulenti, where a range of signature treatments are available, alongside a fitness area with two total-workout Megaformer machines. The resort is celebrated worldwide for its all-inclusive weekly activities, which include trekking on some of the Amalfi Coast’s spectacular mountain trails and more leisurely sunset cruises on the Sant’Antonio, the family’s traditional gozzo fishing boat.

Assembled over decades by art and antique collector Franco Sersale, the hotel’s elegant décor today enters into conversation with a growing site-specific contemporary art collection featuring talents of the calibre of Martin Creed and Nicolas Party, while the light-filled bedrooms are havens of dolce vita style. Now, as in the past, Le Sirenuse is a family affair. Third-generation Sersales, Aldo and Francesco, are increasingly involved in the day-to-day running of a hotel that their parents, Antonio and Carla, began to manage in 1991. Carla currently curates Emporio Sirenuse, the resort wear and lifestyle brand she founded in 2013, which takes inspiration from the deep-rooted Mediterranean culture of this charmed enclave south of Naples. For more information, please visit Sirenuse.it/en.

For more information, please visit www.sirenuse.it/en
Facebook | Instagram | @lesirenuse

About Caroline Bachmann

After studying at the Academy of Arts and Crafts in Geneva, Caroline Bachmann went on to live and work in Barcelona and Rome before returning to Switzerland in 2003, where she is currently based. From 2007 to 2022, she is a Professor and Head of the painting and drawing department at the University of Art, HEAD in Geneva. Her and Swiss artist Stefan Banz collaborated between 2004 and 2014, a period during which they founded KMD – Kunsthalle Marcel Duchamp | the Forestay Museum of Art, an exhibition and research space. Caroline Bachmann lives and works between Cully and Berlin.


Image Credits:
1 -2. Caroline Bachmann, Le Sirenuse I–XX,2024-5. Oil on board, 20 parts. 30 x 30 x 2.2 cm each BACH/P 71. Photography: Galerie Gregor Staiger © Caroline Bachmann.
3. Caroline Bachmann in the Don’t Worry Music Bar at Le Sirenuse. 2025. Photography by Roberto Salomone.
4. Le Sirenuse, Don't Worry Music Bar, 2025. Photography by Brechenmacher & Baumann.

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HEINZ MACK UNVEILS FIRST SOLO EXHIBITION AT ALMINE RECH IN NEW YORK | FROM ZERO UNTIL TODAY 

On view: May 9 – June 15, 2025

May 6, 2025 (Germany) – In light of Heinz Mack's global representation by Almine Rech, the German artist unveils his first solo exhibition at the gallery, titled Heinz Mack | From ZERO until Today, on view from May 9 to June 14, 2025, at Almine Rech in Tribeca, New York. The exhibition will feature 22 works from the artist’s oeuvre, tracing key moments from his early ZERO period to the present day. A central figure and co-founder of the ZERO movement, Mack is celebrated for his innovative exploration of light, space, and color, with an oeuvre that ranges from paintings to monumental outdoor installations, leaving a lasting impact on contemporary art and featured in major public collections worldwide.

Heinz Mack has focused on the aesthetic possibilities of vibration and luminosity since the beginning of his career in the late 1950s as co-founder of the global ZERO movement with fellow artist and philosophy student Otto Piene. Light in Mack’s work suggests both the solar light of the sun and the chemical light of the mushroom cloud. In Mack’s work, brightness is not only a natural phenomenon but also, emerging in the wake of two world wars and under the shadow of the threat of nuclear conflict, his work suggests the interrelation of the duality of life and death. These twin poles of human experience are also captured in the ZERO group’s manifesto-like writings, which convey an interest in new possibilities, as suggested by the word “zero" itself, which ZERO’s practitioners dramatically likened to the culmination of a rocket launch countdown.

Though based in Düsseldorf, ZERO was a loose allegiance of artists working internationally, engaging with figures as diverse as Yves Klein, Piero Manzoni, and Yayoi Kusama. While involving optical, kinetic, and installation art from the start, many of the ZERO artists were among the pioneers reanimating the historical avant-garde trope of monochrome painting in the postwar period. Mack was one of these. In keeping with his generation’s use of single-color painting to isolate a particular formal effect, Mack turned to the monochrome early in his career as a device to set off vibratory effects, which in turn suggested a way to harness light. In the dynamic structures Mack began making in 1955 he realized that, in creating a subtly variegated topography within a field of a single color, he could elucidate luminous effects through the changing way light hits different passages across a painting’s varied topography. For example, in Ohne Titel (1958) Mack incised a grid of linear striations into red synthetic resin, and did the same with white resin in White Silence (1960). Works like these activate the viewer, since the quality of effects change as one moves around the painting’s heterogeneous surface.

Embracing the numinous qualities of light, Mack introduced metallics into his practice, such as the silver resin used to create the choppy surface of Vibration der Schatten (1958). Mack followed his friend Yves Klein, who called himself the painter of blue, by fashioning himself the painter of silver. This inevitably suggested to Mack that he could work with actual metals, as in Vibration (1959), where the artist hand embossed an aluminum panel. These reliefs encourage even further the play of light introduced in the dynamic structures, as it radiates off Mack’s worked metallic surfaces. From there, Mack progressed into fully three-dimensional works, which occupy the space shared with the viewer, as in the free-standing aluminum folding screen Ohne Titel (1972). Mack did not feel limited to only pursuing one idea at a time, or that he had to retire a particular way of working. As such, he would periodically return to certain formats, such as the metal reliefs, a recent example of which is Ohne Titel (2022), which uses an “x” motif to animate an aluminum surface, differing from, but operating similarly to, the textured fan-like composition found in the 1972 screen.

Another development was into kinetic work, such as Japanische Trias (1970), which Mack made during the year he was a guest professor at Osaka University in Japan. Here Mack transposed his signature textured surfaces onto rotating discs, which further activate a changeable dance of luminous effects. This ballet of light is extended in a recent kinetic sculpture, Immaterial Erscheinung (2022), which presents the ghostlike play of a glowing transparent sphere floating in front of a cube.

Other recent work demonstrates Mack’s ongoing interest in environmental works, where the viewer occupies the dramatic space of a darkened room saturated with light effects. These are also conveyed in paintings, like Night View (2005) where phases reminiscent of a lunar eclipse are captured on a canvas surface. Fully dimensional sculptures such as Netz-Stele (2004) bring metallized light effects fully into the round.

More recently Mack has developed painterly ways of exploring light through compositions that juxtapose prismatic fields and lines of color. These works reference art history, harking back to Orphists like Sonia and Robert Delaunay, who pushed toward abstraction with their dynamic rainbow color spectrums. The bright speeding color vectors in Mack’s recent paintings reference the ambient bouncing light rays activated by his earlier work. For example, Chromatische Composition (2022) contains a shimmering Paul Klee-like tessellation of pastel-hued color bars. Other works in the Chromatische Konstellation series take differing approaches, as in a 2013 work, where lines of color zig and zag across an atmospheric blue ground, while in a 2022 work a grid of white squares animate geometric color blocked passages. These recent works demonstrate that Mack is far from done with his now seven- decade-long exploration of vibration and light’s endless possibilities and the multifaceted readings they provoke.

– Alex Bacon, Visiting Scholar, Elam School of Fine Arts, University of Auckland.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

NOTES TO EDITORS:

Heinz Mack | From ZERO until Today will be on view from May 9 – June 14, 2025, at Almine Rech in Tribeca, New York.

Address
361 Broadway,
New York, NY
10013, USA

Opening hours
Tuesday — Saturday | 10 am – 6 pm


'Reflections on Heinz Mack' by Valerie Hillings:
"I recall my first visit with Heinz Mack, now more than 25 years ago. I took a taxi from the Mönchengladbach train station to his home one winter evening. This began the first of many conversations with Mack about his creative vision and production, which has spanned decades (and parts of two centuries) and multiple mediums. Light has always played a central role in his art, serving as medium, subject, and a conceptual bridge between nature and culture. His series of Stelen (Pillars) have always stood out to me because of their important role in his landmark Sahara Project (1959), which advocated for the desert as a viable space for presenting and experiencing art, a proposal that was both of and ahead of his time. In his 1966 solo show at the Howard Wise Gallery in New York, Mack posed in a gallery filled with Stelen, an installation that emphasized the physical relationship of the viewer to works characterized by both a palpable presence and immaterial form. This description can also be applied to his metal reliefs, from the earliest, more linear examples related to his 1950s Dynamic Structure paintings to his almost ethereal representations of wings reminiscent of those found in Renaissance paintings. These were the works that I thought of as quintessentially Mack, as indeed they are, but when I visited him at his studio in Ibiza while working on a major 2014 ZERO show at the Guggenheim, he introduced me to his then-current paintings, which formally echoed earlier pictures yet were defined by exuberant fields of color. These works, like all that are part of his œuvre, reflect Mack’s enduring commitment to bringing light into the world through art."

— Valerie Hillings, Director & CEO of the North Carolina Museum of Art.

About Heinz Mack:
Heinz Mack (b. 1931, Germany) is the co-founder of the ZERO movement, known for his explorations of light, color, and movement through painting, sculpture, and installation. Heinz Mack's work is included in the collections of: the Museum of Modern Art, New York, US, and the Tate Modern, London, UK, among others. His work has been exhibited in major institutions, including the Solomon R. Guggenheim Museum, New York, US; the Centre Pompidou, Paris, France; the Stedelijk Museum Amsterdam, Netherlands; and is part of the collections of The Museum of Modern Art (MoMA), New York, US, and the Tate Modern, London, UK, among others.

Image credits:
Heinz Mack, 'Untitled' (Chromatic Constellation), 2022. Acrylic on canvas. Courtesy of Archive Heinz Mack.

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SOCIÉTÉ x Frieze New York

Preview Days: May 7 – 8, 2025
On View: May  9 – 11, 2025

May 6, 2025 (New York, United States) – Berlin-based SOCIÉTÉ will participate in the 13th edition of Frieze New York from May 7 – 11, 2025, at The Shed, 545 West 30th Street, between 10th and 11th Avenues. The gallery will present a diverse selection of works by Trisha Baga, Petra Cortright, Salim Green, Conny Maier, Jeanette Mundt, Bunny Rogers and Marianna Simnett at Booth C 8.

Conny Maier, FASS, 2025. Oil, pigment, oil stick on canvas. 183 x 133 x 5 cm. 72 x 52 1/2 x 2 in.


MEDIA CONTACT

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com
Ena Alva | Account Manager | ena@annarosathomae.com

NOTES TO EDITORS

Address
The Shed
545 West 30th Street
New York, NY 10001
United States

Preview Days
Wednesday, May 7 (invitation only) | 11 am – 7 pm
Thursday, May 8 (Members and invitation only preview) | 11 am – 1 pm
General admission tickets | 1 pm – 7 pm

Fair Days
Friday, May 9: 11 am – 7 pm
Saturday, May 10: 11 am – 7 pm
Sunday, May 11: 11 am – 5 pm

Image credits:
Photography by Trevor Good. Courtesy of the artist and SOCIÉTÉ, Berlin.

GATHERING REVIVES COLOGNE’S LEGENDARY CAFÉ CENTRAL

May 5, 2025 (Cologne, Germany) – GATHERING gallery proudly announces the grand reopening of the legendary Central in Cologne — a vibrant café, bar, and cultural hotspot that once stood at the heart of the city’s avant-garde and intellectual scene in the 1980s. Nestled at the center of the bohemian quarter, this iconic venue — where artists, writers, musicians, and provocateurs once mingled — is set for a renaissance in April 2025, right alongside the new GATHERING Cologne location just down the street. Revitalized with a bold new vision, Central will see the reinstallation of the iconic Kippenberger Mirrors, alongside caricatures of guests painted for the café’s fifth anniversary in 1991. These will be paired with new dynamic, site-specific interventions by contemporary artists, such as Stefan Brüggemann and Tai Shani. With a transformed interior, new cuisine concept, and the debut of the stylish new Peters Bar, this storied space is ready to reclaim its cultural legacy.

Central was more than a café — it was an intellectual arena, a vibrant laboratory of artistic experimentation and exchange that shaped Cologne’s cultural landscape. Martin Kippenberger, Jörg Immendorff, Günter Förg, Udo Kier, among many other artists made it the go-to space for radical creativity. Simultaneously, lectures by Peter Sloterdijk, Stefan Heym, and Johan Galtung extended its influence beyond its walls. Kippenberger, closely tied to owner Dr. Werner Peters, made the above Hotel Chelsea his home and left a lasting imprint on Central. His creative touch was everywhere—from the installation of his famous mirrors to reimagining rooms at the hotel and adding his distinctive brushstrokes, turning the café itself into an integral part of his artistic practice.

For decades, Cologne was a magnet for artistic innovation — a European crossroads where German artists like Sigmar Polke and Gerhard Richter converged with a wave of American and international artists, from Nam June Paik and John Cage to Cindy Sherman, Jeff Koons, and Robert Gober. The city’s freewheeling energy made it an essential stop on the global art circuit, with Central at its beating heart—a gathering place for radical thinkers, musicians, and the avant-garde. Today with new galleries opening in the neighborhood, Cologne is undergoing a cultural renaissance. The return of Central honors its legacy while contributing to the city’s creative resurgence.

Central will blend echoes of its rich past with a bold, contemporary vision. A standout feature is the bar, which serves as a striking visual centerpiece, featuring a site-specific installation in modernized aluminum by Mexican artist Stefan Brüggemann. Anchoring the space, the bar visually and conceptually bridges the gap between history and innovation. Set in the corner of the café is the doorway to Peters Bar — named in honor of Dr. Werner Peters, the beloved cultural impresario behind Central’s glory days — providing a more intimate ambiance. Wrapped in deep red hues and softly illuminated, the velvet textures and warm lighting of Peters Bar evoke a sense of intrigue and nostalgia. At its heart, a bespoke carpet designed by Turner Prize-winning British artist Tai Shani adds depth and character, upholding the motif of contemporary art which lies at the heart of Central. Honoring the history of the café, Kippenberger’s iconic mirrors drawn at the café’s fifth anniversary will be reinstalled in the space for the first time in ten years.

The new restaurant menu is shaped by German and Northern European cuisine with a Mediterranean influence, recalling another dining destination in GATHERING’s portfolio, MIRA in Ibiza. Sigfredo Scuticchio, leading both MIRA and Central, describes the latter as a “restaurant marrying traditional and modern approaches, influenced by the history of the place itself.”

Alex Flick, founder of GATHERING and newly responsible for Central explains: “After meeting Werner Peters, the owner of Hotel Chelsea and Central, I was deeply moved to walk the same halls as many of my artistic heroes. Our expansion here is about tapping into that legacy and contributing to its next chapter. The energy is here, the history is undeniable, and the appetite for something new is palpable. With Central and our new gallery space, we want to be part of Cologne’s cultural revival, creating a place where art, ideas, and community come together in a way that feels both forward-looking and deeply rooted in the city’s artistic heritage.”

Coinciding with the reopening of Central, GATHERING inaugurates its third and new gallery location in Cologne with a solo exhibition of the late German artist Sibylle Ruppert (1924–2011) on view until May 17, 2025. Her work has not been shown in Cologne since 1971.


MEDIA CONTACT:

A R T Communication + Brand Consultancy (Berlin)

Anna Rosa Thomae | Founder | art@annarosathomae.com

NOTES TO EDITORS:

Addresses
Central
Jülicher Str. 1
50674 Cologne, Germany

GATHERING Cologne
Roon Str. 108
50675 Cologne, Germany

ABOUT GATHERING:

Founded in 2022 in the heart of Soho, London, GATHERING is a contemporary art gallery, presenting a diverse exhibition programme of international emerging voices alongside established artists, including Emanuel de Carvalho, Tamara K.E., Soojin Kang, Ndayé Kouagou, Wynnie Mynerva and Tai Shani. In 2023, GATHERING inaugurated GLASSHOUSE, an alternative strand of programming which fosters emergent creative practitioners alongside GATHERING’s main exhibitions. In 2024, the gallery expanded to Sant Miquel de Balansat on the island of Ibiza, carrying the cutting-edge programming and artist-led ethos of GATHERING to an international stage.

GATHERING is a member of the Gallery Climate Coalition and works with The Anti-Slavery Collective and Embode.

Image Credits:

1. Peters Bar in Central, 2025. Photography by Hendrik Poggenpohl.
2. Main Room of Central, 2025. Photography by Hendrik Poggenpohl.
3. Exterior image of Central, 2025. Photography by Hendrik Poggenpohl.

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