Opening Feb 6 | The Projective Drawing | Austrian Cultural Forum New York 

February 6 – May 13, 2018

Brett Littman, Executive Director of The Drawing Center, New York curates group exhibition with Austrian and international artists.

Opening Reception: Monday, February 5 from 6 – 8 PM
Austrian Cultural Forum New York, 11 E 52nd St

Read more on ArtDailyQuiet Lunch, The Architect's NewspaperWall Street International, WeltKunst and more.

Brigitte Mahlknecht, Fast Architektur 1, 2017, Wax crayon on primed paper, 22 x 19 1/2 inches (55.8 x 41.7 cm), Courtesy of the artist.

Brigitte Mahlknecht, Fast Architektur 1, 2017, Wax crayon on primed paper, 22 x 19 1/2 inches (55.8 x 41.7 cm), Courtesy of the artist.

The Austrian Cultural Forum New York (ACFNY) is pleased to announce the upcoming group exhibition The Projective Drawing, curated by Brett Littman, Executive Director of The Drawing Center, New York.

The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans that defines a new way to explain how we “see” architecture by incorporating all sensations that underpin the human experience of built structures (mental, physical, and emotional). In The Projective Drawing, the curator Brett Littman applies Evans’s theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

VIEW FULL RELEASE HERE

Focus 2018 | The Armory Show

The Armory Show Announces Focus 2018 Theme, Participating Artists and Galleries

Curator Gabriel Ritter brings together 34 artists, whose work spans from the 1970s to present, around the theme of the body mediated by technology. 

March 7 - 11, 2018 on Piers 92 & 94 in New York City.

The Armory Show today announced the participating artists in the 2018 Focus section, curated by Gabriel Ritter, Curator and Head of Contemporary Art at the Minneapolis Institute of Art (Mia).
 
Examining the ways in which technology has mediated representation of the physical body and imagined its emancipation in contemporary art, the Focus section brings together 28 galleries presenting 34 artists from 18 countries, whose work spans nearly five decades of artistic practice.
 
From a variety of intergenerational perspectives, the featured artists broadly question how technology has reimagined the physical body—as avatar, container, prosthesis, shell, surrogate, telepresence, or otherwise—as well its ongoing ramifications for understanding the evolving human condition. 

Image Credit: Tabita Rezaire at Goodman Gallery.

Image Credit: Tabita Rezaire at Goodman Gallery.

Opening in January 2018 | Paul Kasmin Gallery

 

JUDITH BERNSTEIN: MONEY SHOT

293 Tenth Avenue
January 18 – March 3, 2018

Paul Kasmin Gallery is pleased to announce the forthcoming exhibition of new paintings by Judith Bernstein, who has joined the gallery’s roster of artists. The exhibition, entitled Money Shot, will be on view from January 18 to March 3, 2018 at 293 Tenth Avenue and features seven new large-scale paintings that emphatically continue the artist’s incendiary political critique of the current Trump administration. In the artist’s words, “I am showing Trump for what he is: a fool, a monster, a jester, a sexist, a racist. Donald Trump is a con artist, using the White House as his own personal cash machine.” 

Read more on artnetElephant, PurpleThe Art Newspaper, Whitelies and more. 

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Judith Bernstein, All American Spread Eagle, 2016. Image courtesy Judith Bernstein and Paul Kasmin Gallery

Judith Bernstein, All American Spread Eagle, 2016. Image courtesy Judith Bernstein and Paul Kasmin Gallery

ROBERT INDIANA

515 W 27th Street
January 18 – March 3, 2018

Paul Kasmin Gallery is pleased to announce the forthcoming solo presentation of sculptures by Robert Indiana.  The exhibition, which honors the artist in his 90th year and celebrates over 15 years of representation by the gallery, will include two iconic works: LOVE WALL and ONE through ZERO

Read more on AïshtiArt & Object, Art Forumartnet, Metal Magazine , New York Spaces and more.

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Robert Indiana, "LOVE WALL," 1966 – 2006, Cor-ten steel, Installation view, Park Avenue and 57th Street, New York, Spring, 2008. Photo: Christopher Burke Studio. Artwork © 2017 Morgan Art Foundation / Artists Rights Society (ARS), New York.

Robert Indiana, "LOVE WALL," 1966 – 2006, Cor-ten steel, Installation view, Park Avenue and 57th Street, New York, Spring, 2008. Photo: Christopher Burke Studio. Artwork © 2017 Morgan Art Foundation / Artists Rights Society (ARS), New York.

 

TINA BARNEY
LANDSCAPES

297 Tenth Avenue
January 17 – March 3, 2018

Paul Kasmin Gallery is pleased to announce Landscapes, an exhibition of new and never-before-seen works by Tina Barney. This is the artist’s first New York solo exhibition in the past three years, and her second at the gallery, following major recent exhibitions at the Kunsthalle Wien in 2017 and the New Orleans Museum of Art in 2015.

In September 2017, Rizzoli USA published Tina Barney, a comprehensive monograph spanning her four-decade international career. Alongside her oeuvre of portraits portraying the daily life of the social elite that Barney is most known for, exists an entire series of landscape photographs using her 8 by 10-inch view camera. Barney first began her experimentation with landscape photography in the late 1980s and would not revisit the subject again until the summer of 2017.

Read more on Aesthetica, An0ther, Aperture, Cultured MagFinancial Times, Museé MagazineSurface Magazine, Lens, i-DT Magazine, The Cut and more. 

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Tina Barney, Bike Parade, 2017. Courtesy of Tina Barney and Paul Kasmin Gallery

Tina Barney, Bike Parade, 2017. Courtesy of Tina Barney and Paul Kasmin Gallery

FOG Design+Art | Paul Kasmin Gallery | Les Lalanne

Claude and François-Xavier are a magical couple… Together and individually their work reflects this magic - the love, whimsy, the fantasy and the chic. Living with their works is a privilege. It is a constant reminder of instinct, artistry and craft. A wonderland of ideas realized beautifully. A joy. Like their art, they are true originals - Marc Jacobs.

Paul Kasmin Gallery is pleased to announce its inaugural exhibition at the FOG Design+Art fair in San Francisco with a solo presentation of sculpture by Les Lalanne, January 11 - 14, 2018. Inspired by Yves Saint Laurent’s music room (from the designer’s apartment at 55 rue de Babylone, Paris, for which he commissioned over a dozen of Claude’s bronze mirrors) the exhibition brings together works from 1986 to 2017. Highlights include François-Xavier’s ‘Gorille Derange,’ (2007/2010) and Claude’s surrealist ‘Table aux Serpents,’ (2017) which has never before been exhibited in the USA. 

Read more on artnet, Architectural DigestBlouin Artinfo, The Art Newspaper, Whitewall and more.

Les Lalanne studio in Ury, France, 2017. Photo: Percy Washington. Courtesy Paul Kasmin Gallery.

Les Lalanne studio in Ury, France, 2017. Photo: Percy Washington. Courtesy Paul Kasmin Gallery.

Art Basel Miami Beach | Paul Kasmin Gallery | Booth A08

December 7 – 10, 2017

Preview Day (by invitation only): Wednesday, December 6, 2017, 11am – 8pm
Miami Beach Convention Center
1900 Washington Ave, Miami Beach, FL 33139, USA

The presentation will feature works by Milton Avery, Tina Barney, Judith Bernstein, Constantin Brancusi, William N. Copley, Max Ernst, Barry Flanagan, Walton Ford, Jane Freilicher, Simon Hantaï, David Hockney, Robert Indiana, Alex Katz, Lee Krasner, Matvey Levenstein, Robert Motherwell, James Nares, Iván Navarro, Jules Olitski, Roxy Paine, Pablo Picasso, Robert Polidori, Jackson Pollock, Elliott Puckette, Mark Ryden, Bosco Sodi, Naama Tsabar, Bernar Venet and David Wiseman.

 

Read more on Art AgendaArtsy, Artnet, Departures, Il Sole 24 Ore, Observer, Welt and more. 

Walton Ford, The Invalid - Cheyne Walk 1869, 2017. Courtesy Paul Kasmin Gallery

Walton Ford, The Invalid - Cheyne Walk 1869, 2017. Courtesy Paul Kasmin Gallery

Opening Jan. 18 | Tina Barney: Landscapes | Paul Kasmin Gallery

Paul Kasmin Gallery is pleased to announce Landscapes, an exhibition of new and never-before-seen photographs by Tina Barney.

The exhibition will be on view from January 18 through March 3, 2018, at 297 Tenth Avenue. This is the artist’s first major New York solo exhibition in the past three years, and the first exhibition to feature a new body of work at Paul Kasmin Gallery. Barney first began her experimentation with landscape photography in the late 1980s using an 8 x 10-inch large format view camera, and would not revisit the subject matter again until the summer of 2017 when she returned to her familiar New England backdrop. With this group of works, Barney champions distant views of shingled homes, rocky coastal lines and small town thoroughfares, challenging herself to refine and build upon her compositional tactics. Read more here

Read more on An0ther Magazine, artnetT Magazine, The New York Times: Lens

Tina Barney, Parade, 2017. Image not for press usage.

Tina Barney, Parade, 2017. Image not for press usage.

Opening Feb. 6 | The Projective Drawing | Austrian Cultural Forum New York

The Austrian Cultural Forum New York (ACFNY) is pleased to announce the upcoming group exhibition “The Projective Drawing,” curated by Brett Littman, Executive Director of The Drawing Center, New York.

The exhibition is based on The Projective Cast, a book published in 1995 by architectural historian Robin Evans, whose goal was to define a new way to explain how we “see” architecture that incorporated the balancing of all sensations (mental, physical and emotional) that underpin the human experience of built structures. In “The Projective Drawing,” Evans’ theory, which is essentially at its core skeptical of drawing, is used to challenge and expand our approach to understanding the medium and how it operates in contemporary culture. Within the striking architecture of the ACFNY, designed in 1992 by Raimund Abraham, the show presents select work by both Austrian and international artists whose pursuits of drawing require us to activate a matrix of complex and untraditional ideas to understand and approach their work.
 
Featured artists include: 
Austria-based Artists: Lionel Favre, Simona Koch, Brigitte Mahlknecht, Judith Saupper and Leopold Strobl
 
International Artists: William Cordova, Sara Flores and the Shipibo Conibo Center, Seher Shah, James Siena and Katrín Sigurdardóttir

Das Grosse Rauschen, Judith Saupper, Bildrecht Wien 2017, Ausstellungsansicht Detail, Zeppelinmuseum 2014, © Katja Bode.

Das Grosse Rauschen, Judith Saupper, Bildrecht Wien 2017, Ausstellungsansicht Detail,
Zeppelinmuseum 2014, © Katja Bode.

Opening Nov. 9 | David Hockney, 'Works on Paper, 1961-2009' | Paul Kasmin Gallery

Paul Kasmin Gallery is pleased to announce David Hockney: Works on Paper, 1961 – 2009, the artist’s second solo exhibition with the gallery on view from November 9 to January 13 at 297 Tenth Avenue. The exhibition will present a selection of Hockney’s recent East Yorkshire landscapes, as well as intimate portraits and set designs from as early as 1961 during his time as a student at the Royal College of Art.

Read more on ArtDaily, ArtnetWhat Should We Do? and more.

David Hockney, Kas and Jane, 1965 © Paul Kasmin Gallery and David Hockney

David Hockney, Kas and Jane, 1965 © Paul Kasmin Gallery and David Hockney

Paul Kasmin Gallery Now Represents The Estate of Jane Freilicher

Paul Kasmin Gallery is pleased to announce the representation of the Estate of Jane Freilicher.  An exhibition is planned in April 2018 at the gallery’s 293 Tenth Avenue space, and in anticipation of the exhibition, a solo presentation of her work will be exhibited at the ADAA: The Art Show in February. Eric Brown Art Group has been named advisor to the Freilicher Estate.  Freilicher’s influence continues to resonate: her steadfast observation and intuitive realism is detectable within the work of a number of painters working today.

Jane Freilicher, September Landscape, 1973 © Paul Kasmin Gallery

Jane Freilicher, September Landscape, 1973 © Paul Kasmin Gallery

Save the Date | The Armory Show 2018 | New York City

The Armory Show 2018.jpg

Fair Schedule:
Wednesday, March 7, 2018: 12–8 pm (Preview) 
Thursday, March 8, 2018: 12–8 pm
Friday, March 9, 2018: 12–8 pm
Saturday, March 10, 2018: 12–8 pm
Sunday, March 11, 2018: 12–6 pm

Opening Jan. 18 | Judith Bernstein 'Money Shot' | Paul Kasmin Gallery

Paul Kasmin Gallery is pleased to announce the forthcoming exhibition of new paintings by Judith Bernstein, who has joined the gallery’s roster of artists. The exhibition, entitled Money Shot, will be on view from January 18 to March 3, 2018 at 293 Tenth Avenue and features seven new large-scale paintings that emphatically continue the artist’s incendiary political critique of the current Trump administration.

In the artist’s words, “I am showing Trump for what he is: a fool, a monster, a jester, a sexist, a racist. Donald Trump is a con artist, using the White House as his own personal cash machine.”

Judith Bernstein, In Evil We Trust, 2017, acrylic and oil on canvas, 105 x 240 inches, 266.7 x 678 cm © Judith Bernstein.

Judith Bernstein, In Evil We Trust, 2017, acrylic and oil on canvas, 105 x 240 inches, 266.7 x 678 cm © Judith Bernstein.

Opening Nov. 2 | Bosco Sodi: Caryatides | Paul Kasmin Gallery

Paul Kasmin Gallery is pleased to announce Caryatides, the first solo exhibition devoted to Bosco Sodi’s clay cube sculptures, on view from November 2, 2017 through January 6,2018 at 515 West 27th Street. The show will be Sodi’s first with the gallery in New York and will include a new monograph with a forward by Dakin Hart, published by Hatje Cantz.

Read more about the exhibition in Architectural Digest, Artnet, Blouin ArtinfoGalerie MagazinePaper Magazine, Blanc Magazine and more.

View of Bosco Sodi’s clay cubes at Fundación Casa Wabi, Oaxaca Mexico. Photo credit: Michel Zabé

View of Bosco Sodi’s clay cubes at Fundación Casa Wabi, Oaxaca Mexico. Photo credit: Michel Zabé

Opening Nov. 9 | Lee Krasner: Umber Paintings | Paul Kasmin Gallery

Paul Kasmin Gallery, in collaboration with the Pollock-Krasner Foundation, is pleased to announce an inaugural solo exhibition of paintings by Lee Krasner, which will focus on her iconic Umber Paintings. The series consists of only twenty-four paintings, eight of which are held in major institutional collections. The exhibition will be accompanied by a fully illustrated and comprehensive catalogue raisonné on the series with an essay by art historian Dr. David Anfam, Senior Consulting Curator of the Clyfford Still Museum in Denver and curator of the recent exhibition Abstract Expressionism at the Royal Academy, London.

Read more about the exhibition in ArtsyArtnet, Blouin Artinfo, ArtnewsPurple Fashion Magazine, The Art Newspaper, The New Yorker, and more. 
 

Lee Krasner, Seeded, 1960, oil on canvas, 70 3/4 x 109 inches, 179.7 x 276.9 cm. Courtesy of Paul Kasmin Gallery © 2017 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.

Lee Krasner, Seeded, 1960, oil on canvas, 70 3/4 x 109 inches, 179.7 x 276.9 cm. Courtesy of Paul Kasmin Gallery © 2017 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York.

Word & Sound Performance | Rolf Sachs | MAK Vienna

© Rolf Sachs Studio

© Rolf Sachs Studio

On October 3, 2017 from 7 - 10 PM at MAK Vienna, Rolf Sachs will be presenting performance Word & Sound in light of Vienna Design Week. 

Everything is design for the artist and designer Rolf Sachs: language, upbringing, how we move and what we eat—everyone is a designer. For the MAK Design Nite, a happening has been conceived that describes Sachs’s understanding of the world around him using keywords. With these keywords, he captures the effect of a chair and the sensation of surfaces, while personal topics such as tolerance and childhood also become an expression of his take on design.